Lance Pearce, Untitled (2010), Mirror sheets, adhesive tape. |
TEMPORARY SCULPTURE
Tuesday, November 16, 2010
Light and space
Larry Bell, 20" Untitled (Tom Messer Cube) (1969), Glass, stainless steel. |
'Larry Bell's "glass cube" manifests the "less is more" aesthetic that drove much twentieth-century geometric abstraction. Reducing compositional elements to a minimum is, however, a risky artistic endeavor; viewers often find the work simplistic, without visual interest, and nothing more than a modernist joke. Artists, on the other hand, have conceived reductivism as a means to distill form to a purer essence, to focus on a medium's constituent elements, and to produce a distraction-free work that can induce a contemplative, even spiritual attitude.'
Mark Thistlewaite in Modern Art Museum of Fort Worth, Modern Art Museum of Fort Worth 110, ed. Michael Auping, Fort Worth, Texas: Modern Art Museum of Fort Worth; London: Third Millennium Pub., 2002, 215.
'Bell's pristine objects heighten our sensitivity to the mundane world - one moment at a time - revealing, in the process, that ordinary things are simple only when their complex details are casually overlooked or aggressively ignored.'
David Pagel, 'Larry Bell' (exhibition review), Art Issues, 51:46, Jan-Feb 1998.
Sunday, November 7, 2010
Lance Pearce: art object
Lance Pearce, Too Bad for the Egg (for Robert Filliou) (2010), Canvas, egg. |
Lance Pearce, Too Bad for the Egg (for Robert Filliou) (detail) (2010), Canvas, egg. |
Lance Pearce, Too Bad for the Egg (for Robert Filliou) (detail) (2010), Canvas, egg. |
Lance Pearce, Too Bad for the Egg (for Robert Filliou) (detail) (2010), Canvas, egg. |
Saturday, November 6, 2010
Lance Pearce: art object
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