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| Frank Stella, The Marriage of Reason and Squalor, 11 (1959), Enamel on canvas. |
'In each half of The Marriage of Reason and Squalor, 11, stripes outline stripes in an inverted U shape, a regular, self-generating pattern. Filling the canvas according to a methodological program, Stella suggests an idea of the artist as laborer or worker.'
The Museum of Modern Art, MOMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, 23.
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